Suspended | 5/19/2012 – 6/24/2012

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Daniel Shea | Blue Island IV, 2012 | Laminated Archival Inkjet Prints on Hahnemühle Paper, Wood Frames, 17” x 21” Each

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Richard Galling | 12-006, 2012 | Oil and Alkyd on Canvas, 24” x 30”

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Richard Galling | 12-003, 2012 | Oil and Alkyd on Canvas, 30” x 40”

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Daniel Shea | Blue Island VI, 2012 | Found Drop Ceiling, Wire, Screws, Dimensions Variable

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Daniel Shea | Blue Island VI (detail), 2012 | Found Drop Ceiling, Wire, Screws, Dimensions Variable

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Richard Galling | 12-002, 2012 | Oil and Alkyd on Canvas, 36” x 48”

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Richard Galling | 12-002, 2012 | Oil and Alkyd on Canvas, 36” x 48”

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Richard Galling | 12-007, 2012 | Oil and Alkyd on Canvas, 12” x 18”

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Richard Galling | 12-007, 2012 | Oil and Alkyd on Canvas, 12” x 18”

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Richard Galling | 12-001, 2012 | Oil and Alkyd on Canvas, 48” x 36”

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Daniel Shea | Blue Island III, 2012 | Found Burnt Wood, Fire, Spray Paint, Screws, Drywall, Wood, Cinder Blocks, 66” x 96” x 20”

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Daniel Shea | Blue Island III, 2012 | Found Burnt Wood, Fire, Spray Paint, Screws, Drywall, Wood, Cinder Blocks, 66” x 96” x 20”

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Richard Galling | 12-005, 2012 | Oil and Alkyd on Canvas, 30” x 40”

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Richard Galling | 2-004, 2012 | Oil and Alkyd on Canvas, 30” x 40”

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Daniel Shea | Blue Island I, 2012 | Found Cinder Block, Cinder Block, Particle Board, Paint, 7.5” x 7.5” x 75.5”

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Daniel Shea | Blue Island I, 2012 | Found Cinder Block, Cinder Block, Particle Board, Paint, 7.5” x 7.5” x 75.5”

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Suspended 
Saturday, May  19, 2012 – Sunday, June 24, 2012


Richard Galling
Daniel Shea

Suspended is a state, a moment, some kind of disbelief, a stalemated gesture frozen in its own established conditions. Richard Galling’s paintings deconstruct and utilize marks and gestures within a framework of abstraction, proposing a new system of painted signs. Daniel Shea’s objects and installations examine the mythologies and histories of the post-industrial ruin and a perceived material authenticity. Together their work offers an interplay between an aesthetic and conceptual modernism and industrial modernity. As one history implicates another, their work shown together suspends multiple moments in aesthetic and political lineages.
Opening Reception:
Saturday, May  19, 2012
6:00pm – 10:00pm